As most of you know, one of my preferred genres of music involves beardy Scandinavian blokes who spent the majority of their adolescences sitting in their room learning how to play the guitar really really fast, and working out if they could best shock their parents more by singing about Satan, or by burning down twelfth century stave churches. I like metal. It's not always the most female friendly space to be, but hey, it's a lot more fun than emo.
Within the scene, Roadrunner Records have a reputation as a decent label. Though they may be directly responsible for Trivium, they also bring us Opeth, Porcupine Tree, Megadeth, Soulfly and lots of other great bands. When I saw that The Dresden Dolls were signed to them, I thought it was cool that they were enlarging the tent. They're also the label for Amanda Palmer's solo stuff. I've always been a bit ambivalent about these two; while there are some Dresden Dolls songs I
love, I usually end up skipping quite a lot of it. I really don't like her new single, Leeds United, at all. However, I think the video is kind of cool, and that she looks hot in it.
...Apparently, Roadrunner Records don't agree. Apparently, Palmer's belly is too fat for her to be sexy, and we all know there's no place in music for women who aren't thin.
This just depresses me more than I can say. On my thankfully now deleted old journal, I made a few maudlin posts every once in a while about how irritated I was by the lack of women in metal, and the fact that women who did manage to get some kind of profile were usually judged almost entirely by their looks. I mean, I'll be the first person to admit that Cristina Scabbia is hot. However, she also has a fabulous voice, and when I'm in the mood for overblown Italian goth metal, they're my first choice. Angela Gossow was an icon to me a few years ago. I'm not saying that Amanda Palmer is playing in the same league as them, but she's at least economically speaking associated with the metal scene, and I do think Roadrunner's actions are a huge slap in the face to female metal fans, even the ones who don't want to be associated with all that piano bashing.
I know rock music has usually been a guy thing, and few subgenres are more about the cock than metal. But for one of the most successful businesses in what claims to be a subversive genre of music to do something like this really pisses me off. I honestly couldn't tell you how I got into metal - it was a combination of going along with what my friends liked, and finding a nice little niche in the proggier end of death metal. But I do think the fact that it was an excuse to get my eyebrow pierced and lounge around in baggy jeans and a t-shirt instead of a babydoll dress was probably a big part of it. Incidentally, that phase didn't last very long - I was probably the only person at Wacken Open Air in 2006 and 2007 floating about in broderie anglaise and flowery skirts. But there was always very much a sense that I was being allowed in by the boys, somehow. For every nice young man pulled me out of a moshpit that got a bit too heavy, there was usually some twat to sneer at me or cop a feel in the crowd. I don't think that guys who like metal are inherently more or less sexist than the rest of the general population, but for a subgroup that claims to be part of the counterculture, it's very much a male defined space, and with
certain exceptions, it's an overwhelmingly heteronormative one. It tends to idealise 'masculine' aggression and rage, which is ironic given most of the guys I've known who are drawn to it have been sweet, thoughtful guys who are well aware of the possible implications of shirtless men in leather trousers waving phallic objects at one another.
I'm not a huge fan of Amanda Palmer, but for Roadrunner to have someone on their label who belts out some of the most stridently feminist lyrics in contemporary music did used to make me very happy. And now this comes along, and I just feel so... disappointed. For all the naivety this may show, I honestly believe in music as a vehicle of political protest and social change. Every woman who made it in metal or on a metal label seems to me like a strike against the patriarchy, as much as childcare legislation, because it shows a huge shift in a comically hypermasculine business, and it shows women kicking the doors off an area which has always been culturally rather than legally suspicious of them. You only have to look at the media interest generated by AccoLade, an all-girl Saudi Arabian metal band, to see how vital this sort of thing is for women, not just in the West. While Raped By The Light Of Christ by At The Gates is hardly The Times They Are A Changin', they are linked to the same sort of questioning of authority. Oh, shut up, it's on a continuum! While they aren't really like the Roadrunner stable, bands like Tool and System of a Down, and especially Rage Against The Machine can be consciousness raising voices for progress and dissent while what passes for the hippie movement disappears into a cloud of smoke.
Music should be fun and inclusive, and this sort of shit just really wrecks the party. If metalheads were as subversive and dissatisfied with Judeo-Christain mainstream values as they claim to be, they should be supporting female artists, irrespective of their real or imaginary stomach fat. But its easy to posture and pose than it is to actually engage with the real issues. I'm not saying metal has ever claimed to be revolutionary - Iron Maiden waving a union jack at a gig in Dublin in the 1980s was hardly a model of political sensitivity. But this kind of misogynistic horseshit shouldn't have a place
anywhere, and all power to Amanda Palmer for telling them to fuck right off.
So, fuck you, Roadrunner. It's fuckers like you who are Just Not Metal. Sophie is more metal than you.